“I close ** eyes. The crowd makes me smile, breaks ** body, and that’s the end.” By presenting the festive events which accompanied the premiere of the film Jean Galmot, aventurier (1990) by Alain Maline, in which the filmmaker’s father played a role, the images of Moune Ô reveal the survival of the colonial inheritance within a western collective unconscious always marked ****...
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胤祥 2022-02-24
#72nd Berlinale# EFM online-VOD, Forum Expanded。散文电影。导演的父亲(圭亚那人)在Jean Galmot, aventurier (1990, by Alain Maline)担任了群众演员。对电影及电影首映庆祝**的录像档案素材进行再度创作(算是鬼畜哈哈哈),并分析了电影机制中的殖民话语。
阿飞 2022-07-20
#6th FestivalECRÃ# Berlinale2022 Forum Expanded 影像与文字/声音分属两个系统,或者说对Found Footage的调用是从侧面辅佐叙事而并没有过于实际的意义。从环保视角切入伤痕记忆,是近年来较常规的对后殖民话语的批评路径。
Q影誌 2022-02-24
#Berlinale72论坛拓展 3- 开头结尾唱歌部分不错
blood orange 2022-02-14
7。#72ndBerlinaleForumExpanded
Phaeton 2023-07-05
把录像处理成定格动画的感觉还蛮有意思,影片是对一段殖民历史的批判,但力度比较单薄。